A1A Poet's Prelude Vocals –1:43A2Get Up 4 The Get Down Producer –3:46A3Soul Provider Producer –4:00A4Here We Go Again Co-producer –,4:10A5Cali's All That Rap Featuring –5:52A6Brand New Heavy Freestyle (Extended) Producer –6:34B1Soul Is Back Mixed By –4:50B2Fa Sho Shot Co-producer –,4:45B3Don't Sleep (Open Your Eyes - Theme For The 90's) Producer –3:30B4Soul Food (A Hip Hop Duet With Boiwundah/Funky Town Pros) Mixed By – Rap Featuring –4:38B5Voice Of A New Generation Mixed By –4:54B6God Complex Vocals –4:07.

Def Jef was always hailed by critics as an excellent rapper and producer with superb political/socially conscious messages held within. However, he never received much fanfare, and his solo career sadly slipped into obscurity. His second and final solo album 'Soul Food' is most certainly a long-forgotten gem.

Can't Knock The Hustle (Feat. Politics As Usual (Prod. Brooklyns Finest (Feat. Notorious B.I.G.)04. Dead Presidents II (Prod.

Feelin' It (Feat. Mecca) (Prod. D'Evils (Prod. DJ Premier)07.

22 Two's (Prod. Can I Live (Prod. Ain't No Nigga (Feat. Foxy Brown) (Prod. Friend Or Foe (Prod. DJ Premier)11.

Thanks for making such an amazing movie:) Expecting more comedy movies like this. And 'Bhinnu Dhillon' you always rock in any movie!:D keep it up everyone!! Ans also my expectation got fulfilled when i watched this movie. I was hoping for the best comedy movie by Sameep after watching 'Carry on jato'. Though it doesn't start with intense comedy in the beginning of the movie however it gradually it takes up the pace and then the story becomes really interesting and every single sentence can make you laugh for the humor and fun it has:D All the main actors have done their job brilliantly! Unlucky movie characters.

Coming Of Age (feat. Memphis Bleek) (Prod. Clark Kent)12.

Cashmere Thoughts (Prod. Clark Kent)13. Bring It On (Feat. Big Jaz & Sauce Money) (Prod. DJ Premier)14. Regrets (Prod.

Peter Panic)15. Can't Knock The Hustle (Fool's Paradise Remix) (Feat. Meli'sa Morgan).

Before Jay-Z fashioned himself into hip-hop's most notorious capitalist, he was a street hustler from the projects who rapped about what he knew, and was very, very good at it. Skeptics who've never cared for Jigga's crossover efforts should turn to his debut, Reasonable Doubt, as the deserving source of his legend.

Reasonable Doubt is often compared to another New York landmark, Nas' Illmatic: A hungry young MC with a substantial underground buzz drops an instant classic of a debut,detailing his experiences on the streets with disarming honesty, and writing some of the most acrobatic rhymes heard in quite some time. (Plus, neither artist has since approached the street cred of his debut, The Blueprint notwithstanding.) Parts of the persona that Jay-Z would ride to superstardom are already in place: He's cocky bordering on arrogant, but playful and witty, and exudes an effortless, unaffected cool throughout.

And even if he's rapping about rising to the top instead of being there, his material obsessions are already apparent. Jay-Z the hustler isn't too different from Jay-Z the rapper: Hustling is about living the high life and getting everything you can, not violence or tortured glamour or cheap thrills. In that sense, the album's defining cut might not be one of the better-known singles, 'Can't Knock the Hustle,' 'Dead Presidents II,' 'Feelin' It,' or the Foxy Brown duet, 'Ain't No Nigga.' It just might be the brief '22 Two's,' which not only demonstrates Jay-Z's extraordinary talent as a pure freestyle rapper, but also preaches a subtle message through its club hostess: Bad behavior gets in the way of making money. Perhaps that's why Jay-Z waxes reflective, not enthusiastic, about the darker side of the streets; songs like 'D'Evils' and 'Regrets' are some of the most personal and philosophical he's ever recorded. It's that depth that helps Reasonable Doubt rank as one of the finest albums of New York's hip-hop renaissance of the '90s.